{"id":108,"date":"2020-07-18T00:34:14","date_gmt":"2020-07-18T00:34:14","guid":{"rendered":"https:\/\/douglasjamesmaguire.com\/?page_id=108"},"modified":"2020-10-26T07:54:37","modified_gmt":"2020-10-26T07:54:37","slug":"letters","status":"publish","type":"page","link":"https:\/\/douglasjamesmaguire.com\/?page_id=108","title":{"rendered":"Letters"},"content":{"rendered":"

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Letters<\/span><\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Gallery” _builder_version=”4.5.1″ background_color=”#d6d6d6″ custom_margin=”-2px|||||” custom_padding=”22px|||||”][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.5.1″ width=”90%” width_tablet=”” width_phone=”” width_last_edited=”on|phone” max_width=”100%” custom_margin=”|auto||82px||” hover_enabled=”0″][et_pb_column type=”1_3″ _builder_version=”4.4.4″][et_pb_image src=”https:\/\/douglasjamesmaguire.com\/wp-content\/uploads\/2020\/10\/Art-News-2.jpg” title_text=”Art News 2″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#000000″ force_fullwidth=”on” _builder_version=”4.5.1″ custom_margin=”||50px||false|false” custom_margin_tablet=”||30px||false|false” custom_margin_phone=”” custom_margin_last_edited=”on|phone” hover_enabled=”0″ locked=”off”][\/et_pb_image][et_pb_image src=”https:\/\/douglasjamesmaguire.com\/wp-content\/uploads\/2020\/10\/Art-in-America2.jpg” title_text=”Art in America2″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#000000″ force_fullwidth=”on” _builder_version=”4.5.1″ custom_margin=”||50px||false|false” custom_margin_tablet=”||30px||false|false” custom_margin_phone=”” custom_margin_last_edited=”on|phone” hover_enabled=”0″ locked=”off”][\/et_pb_image][et_pb_image src=”https:\/\/douglasjamesmaguire.com\/wp-content\/uploads\/2020\/10\/Woodstock-Times.jpg” title_text=”Woodstock Times” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#000000″ force_fullwidth=”on” _builder_version=”4.5.1″ custom_margin=”||50px||false|false” custom_margin_tablet=”||30px||false|false” custom_margin_phone=”” custom_margin_last_edited=”on|phone” hover_enabled=”0″ locked=”off”][\/et_pb_image][et_pb_image src=”https:\/\/douglasjamesmaguire.com\/wp-content\/uploads\/2020\/10\/Art-News-1.jpg” title_text=”Art News 1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#000000″ force_fullwidth=”on” _builder_version=”4.5.1″ custom_margin=”||50px||false|false” custom_margin_tablet=”||30px||false|false” custom_margin_phone=”” custom_margin_last_edited=”on|phone” hover_enabled=”0″ locked=”off”][\/et_pb_image][et_pb_image src=”https:\/\/douglasjamesmaguire.com\/wp-content\/uploads\/2020\/10\/New-York-Times-Page1.jpg” title_text=”New York Times Page1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#000000″ force_fullwidth=”on” _builder_version=”4.5.1″ custom_margin=”||50px||false|false” custom_margin_tablet=”||30px||false|false” custom_margin_phone=”” custom_margin_last_edited=”on|phone” hover_enabled=”0″ locked=”off”][\/et_pb_image][et_pb_image src=”https:\/\/douglasjamesmaguire.com\/wp-content\/uploads\/2020\/10\/New-York-Times-Page2.jpg” title_text=”New York Times Page2″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#000000″ force_fullwidth=”on” _builder_version=”4.5.1″ custom_margin=”||50px||false|false” custom_margin_tablet=”||30px||false|false” custom_margin_phone=”” custom_margin_last_edited=”on|phone” hover_enabled=”0″ locked=”off”][\/et_pb_image][et_pb_image src=”https:\/\/douglasjamesmaguire.com\/wp-content\/uploads\/2020\/10\/Art-in-America1-Page1.jpg” title_text=”Art in America1 Page1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#000000″ force_fullwidth=”on” _builder_version=”4.5.1″ custom_margin=”||50px||false|false” custom_margin_tablet=”||30px||false|false” custom_margin_phone=”” custom_margin_last_edited=”on|phone” hover_enabled=”0″ locked=”off”][\/et_pb_image][et_pb_image src=”https:\/\/douglasjamesmaguire.com\/wp-content\/uploads\/2020\/10\/Art-in-America1-Page2.jpg” title_text=”Art in America1 Page2″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#000000″ force_fullwidth=”on” _builder_version=”4.5.1″ custom_margin=”||50px||false|false” custom_margin_tablet=”||30px||false|false” custom_margin_phone=”” custom_margin_last_edited=”on|phone” hover_enabled=”0″ locked=”off”][\/et_pb_image][et_pb_image src=”https:\/\/douglasjamesmaguire.com\/wp-content\/uploads\/2020\/10\/Screen-Shot-2020-10-26-at-3.35.41-AM.png” title_text=”Screen Shot 2020-10-26 at 3.35.41 AM” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#000000″ force_fullwidth=”on” _builder_version=”4.5.1″ custom_margin=”||50px||false|false” custom_margin_tablet=”||30px||false|false” custom_margin_phone=”” custom_margin_last_edited=”on|phone” hover_enabled=”0″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.4.4″][et_pb_text _builder_version=”4.5.1″ _module_preset=”default” min_height=”142px” custom_margin=”-2px|||||” custom_padding=”0px||50px|||”]<\/p>\n

Douglas James Maguire
<\/strong><\/p>\n

P.O. Box 809,\u00a0Woodstock, NY 12498<\/span>\u00a0<\/span><\/p>\n

maguire@hvc.rr.com<\/p>\n


<\/strong>EDUCATION<\/strong><\/p>\n

 <\/p>\n

1973 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>M.F.A., City College of New York, C.U.N.Y., New York, NY
1968 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Brooklyn College, C.U.N.Y., Brooklyn, NY
<\/span>1967 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>B.F.A., Pratt Institute, Brooklyn, NY
<\/span>1965 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>New School for Social Research, New York, NY
<\/span>1958<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>High School of Music and Art, New York, NY<\/span><\/p>\n


AWARDS \/ FELLOWSHIPS<\/strong><\/p>\n

 <\/p>\n

1981 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>CAPS (Creative Artists Public Service Program) Fellowship in Painting
1977 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Community Award; Woodstock Artists Association
<\/span>1973 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Berkshire Artists Association Award in Painting
<\/span>1973 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Berkshire Museum Purchase Prize
<\/span>1968 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Edwin MacDowell Fellowship in Painting
66-61 \u00a0 \u00a0 \u00a0 Pratt Scholarship\u00a0<\/span><\/p>\n


EXHIBITIONS<\/strong><\/p>\n

 <\/p>\n

One Person Shows<\/em><\/p>\n

 <\/p>\n

2017 \u00a0 \u00a0 \u00a0 \u00a0Art Society of Kingston, Kingston, NY, “Reflections Past & Present” (with fellow artist Anna Contes Maguire)
2016 \u00a0 \u00a0 \u00a0 \u00a0North River Gallery, Chatham, NY, “Astral Projections” (with fellow artist \u00a0)
2014 \u00a0 \u00a0 \u00a0 \u00a0Oriole 9, Woodstock, NY, “Perceptions” (with fellow artist Anna Contes Maguire)
2014 \u00a0 \u00a0 \u00a0 \u00a0Uptown Gallery, Kingston, NY, “Douglas Maguire”
2014 \u00a0 \u00a0 \u00a0 \u00a0Fletcher Gallery, Woodstock, NY, “Landscape” (with fellow artists Katharine McKenna, Nicole Roskos)
2013 \u00a0 \u00a0 \u00a0 \u00a0Mark Gruber Gallery, New Paltz, NY, “Doug Maguire” (with fellow artist\u00a0James Cramer)
2012 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>The Art Gallery at Rockefeller State Park Preserve, Sleepy Hollow, NY, \u201cValley Visions\u201d
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0(with fellow artist Frances\u00a0Wells)
12-11 \u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>The Durst Organization Presents: Douglas James Maguire “Places”
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0The Lobby Gallery, 1155\u00a0Avenue of the Americas, NY, NY
2011 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>The Arts Upstairs, Phoenicia, NY,<\/span>\u00a0“The Five Senses” (with fellow artist Anna Contes Maguire)
<\/span>2010 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Walter Wickiser Gallery, NY, NY,\u00a0<\/span>“Time, Light and Space”
<\/span>2007 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Carrie Haddad Gallery, Hudson, NY,\u00a0“Douglas James Maguire”<\/span>
<\/span>2005 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Broderick Fine Arts Gallery, Freehold, NY,\u00a0“Douglas James Maguire”<\/span>
<\/span>1998 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Hawthorn Gallery Group, Woodstock, London, Montreal, Savannah,\u00a0“Douglas James Maguire”<\/span>
<\/span>1998 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Katherina Rich Perlow Gallery, NY, NY,\u00a0“Douglas James Maguire”<\/span>
<\/span>1993 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Katherina Rich Perlow Gallery, NY, NY,\u00a0“Douglas James Maguire”<\/span>
<\/span>1990 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Katherina Rich Perlow Gallery, NY, NY,\u00a0“Douglas James Maguire”<\/span>
<\/span>1987 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Katherina Rich Perlow Gallery, NY, NY,\u00a0“Douglas James Maguire”<\/span>
<\/span>1985 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Katherina Rich Perlow Gallery, NY, NY,\u00a0“Douglas James Maguire”<\/span>
<\/span>1980 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>A.M. Sachs Gallery, NY, NY,\u00a0“Douglas James Maguire”<\/span>
<\/span>78-77 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Woodstock Artists Association, Woodstock, NY, “Douglas James Maguire”<\/span><\/p>\n


Selected Group Shows<\/em><\/p>\n

 <\/p>\n

2020 \u00a0 \u00a0 \u00a0 \u00a0Longyear Gallery, “Artist Member Exhibitions,” Margaretville, NY\u00a0
2019 \u00a0 \u00a0 \u00a0 \u00a0Longyear Gallery, “Artist Member Exhibitions,” Margaretville, NY\u00a0
2018 \u00a0 \u00a0 \u00a0 \u00a0WAAM\/Woodstock Artists Association & Museum, Woodstock, NY
2018 \u00a0 \u00a0 \u00a0 \u00a0Wired Gallery, “Deep Sate,” High Falls, NY
2018 \u00a0 \u00a0 \u00a0 \u00a0Longyear Gallery, “Artist Member Exhibitions,” Margaretville, NY
2017 \u00a0 \u00a0 \u00a0 \u00a0Green Kill Gallery, “Vision Quest Seven,” Kingston, NY
2016 \u00a0 \u00a0 \u00a0 \u00a0Woodstock Guild, Kleinert Arts Center, “Byrdcliffe Legacy,” Woodstock, NY
2016 \u00a0 \u00a0 \u00a0 \u00a0Athens Cultural Center, “Green,” Athens, NY
2016 \u00a0 \u00a0 \u00a0 \u00a0Mark Gruber Gallery, “40 Years 40 Artists,” New Paltz, NY
16-15 \u00a0 \u00a0 \u00a0\u00a0The Arts Upstairs, \u201cArtist Member Exhibitions,” Phoenicia, NY
2014 \u00a0 \u00a0 \u00a0 \u00a0Ashokan Center, Olive Bridge, NY
14-13 \u00a0 \u00a0 \u00a0 Fletcher Gallery, “Landscape Exhibition,” Woodstock, NY
2012 \u00a0 \u00a0 \u00a0 \u00a0Mark Gruber Gallery, “Barnes in Art,”\u00a0New Paltz, NY
2012 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>The Arts Upstairs, \u201cSomething Simple,\u201d Phoenicia, NY
2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>The Arts Upstairs, \u201cNobody\u2019s Fool,\u201d Phoenicia, NY
2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>The Arts Upstairs, \u201cComforting Illusions,\u201d Phoenicia, NY
12-10 \u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>The Arts Upstairs, \u201cArtist Member Exhibitions,” Phoenicia, NY
10-07 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Broderick Fine Arts Gallery, Freehold, NY
<\/span>2009 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>TIAF Toronto International Art Fair 2009, Represented by Walter Wickiser Gallery, NY, NY
<\/span>2007 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Carrie Haddad Gallery, Hudson, NY
<\/span>2007 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Canyon Ranch, Lennox, MA
<\/span>2006 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Brik Gallery, “In the light; Contemporary Visions of the Hudson Valley,” Catskill, NY
<\/span>2005 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Berkshire Museum, “Power of Place”\/”The Berkshire Landscape 1900\/Present,” Pittsfield, MA
<\/span>2004 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Coffey Gallery, “Art and Environmentalism,” Kingston, NY
<\/span>2002 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Fletcher Gallery, Woodstock, NY
<\/span>2000\u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0<\/span>WFG Gallery, Woodstock, NY
<\/span>2000 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Thomas Cole’s Cedar Grove, Funded by N.Y.S.C.A.”In the Spirit of Thomas Cole,” Catskill, NY
<\/span>2000 \u00a0 \u00a0 \u00a0 \u00a0Catskill Mountain Foundation, Hunter, NY, “Reflections of Land”
1999 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Mandeville Gallery, Nott Memorial Union College, “Enduring Vision,” Schenectady, NY
<\/span>1999 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Esopus Gallery, “Kindred Spirits,” Lake Hill, NY
<\/span>98-85 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Katherina Rich Perlow Gallery, NY, NY
<\/span>1998 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Woodstock Guild, Kleinert Arts Center, Woodstock, NY
<\/span>1998 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Delaware Museum of Art, Wilmington, DE
<\/span>1996 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Philadelphia Museum of Art, Philadelphia, PA
<\/span>1994 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Gallery at Park West, Kingston, NY
<\/span>1993 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Woodstock Artists Association, Woodstock, NY
<\/span>1991 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Metlife Gallery, “Contemporary Landscape, Recent Acquisitions,” NY, NY
<\/span>1991 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Woodstock Artists Association, “New Response,” Woodstock, NY
<\/span>1989 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Katherina Rich Perlow Gallery, “Terra Firma, The American Landscape,” NY, NY
<\/span>1988 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Wilson Art Center, Rochester, NY
<\/span>88-87 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Albrecht Art Museum; Muscarelle Art Museum; Minnesota Museum of Art
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u201cArt and the Law\u201d,\u00a0<\/span>Traveling Exhibition, St. Paul, MN
1987 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>2nd International Contemporary Art Fair, “Art LA ’87,” Los Angeles, CA
<\/span>87-86 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Orlando Museum of Art at Loch Haven, “Contemporary Romantic Landscape Painting,” Orlando, FL
<\/span>86-85 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Columbus Museum of Art, Columbus, OH
<\/span>1986 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Woodstock Guild, Kleinert Arts Center, “Hudson Valley Landscapes,” Woodstock, NY
<\/span>1986 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Swain Galleries, “The Contemporary American Landscape,” Plainfield, NJ
<\/span>1984 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>McNay Art Institute, San Antonio, TX
<\/span>85-80 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>A.M. Sachs Gallery, NY, NY
<\/span>1981 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Art Awareness Gallery, “Time, Light and Space,” Lexington, NY
<\/span>1981 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Munson Williams Proctor Institute, Utica, NY
<\/span>1981 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Bard College, Annandale-on-Hudson, NY
<\/span>1980 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Thorpe Intermedia Gallery, “New York Realists 1980’s,” Sparkill, NY
<\/span>79\/77 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Woodstock Artists Association, Woodstock, NY
<\/span>76\/73 <\/span>\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>Berkshire Art Association, Pittsfield, MA<\/span><\/p>\n

 <\/p>\n

PUBLIC \/ CORPORATE \/ PRIVATE COLLECTIONS<\/strong><\/p>\n

 <\/p>\n

Bank of New York, New York City, NY
Midlantic National Bank, Newark, NJ
<\/span>U.S. Insurance Groups, Newark, NJ (2)
<\/span>F.M.C. Corp., Chicago, IL
<\/span>McNay Art Institute, San Antonio, TX
<\/span>Strook & Strook & Lavan, New York City
<\/span>Berkshire Museum, Pittsfield, MA
<\/span>South Western Bell Corporation
<\/span>Western Electric Corp., Morristown, NJ
<\/span>AT&T Corp., NY (2)
<\/span>Ulster County Council of the Arts, NY
<\/span>Queens City Savings Bank, Newark, NJ (2)
<\/span>Prudential Corp., Newark, NJ
<\/span>Standard Oil of Ohio, Cleveland, OH
<\/span>Metropolitan Life Insurance Co., NY
<\/span>Heublein Inc., Farmington, CT
<\/span>Harvard University, Cambridge, MA
<\/span>I.B.M. Corp., New York, NY
<\/span>Champlain Oil Co., Houston, TX (2)
<\/span>McDonalds Corp., USA
<\/span>Bristol Myers, New York City, NY
<\/span>American Embassy, Budapest, Hungary
<\/span>Johnson & Johnson, New Brunswick, NJ
<\/span>First Providian Bank of Pennsylvania, Philadelphia, PA
<\/span>K Mart Corporation, Birmingham, MI
<\/span>General Electric Corp. New York City, NY<\/span><\/p>\n

 <\/p>\n

REVIEWS \/ MONOGRAPHS \/ CATALOGUES \/ TEXTS<\/strong><\/p>\n

 <\/p>\n

New York Sunday Times<\/u>\u00a0<\/span><\/p>\n

‘Contemporary Variations on a Timeless Hudson Valley Theme,” Vivien Raynor, 24 July, 1994.<\/p>\n

‘Thirty-three Views of Realism,’ Peter Schfeldahl, 13 April, 1980<\/span><\/p>\n

Art News<\/u>\u00a0<\/span><\/p>\n

“New York Reviews,” Gerrit Henry, Jan., 1994\u00a0<\/span><\/p>\n

“New York Reviews,” Ruth Bass, April 1980<\/p>\n

Art Fundamentals Theory and Practice (6th, 7th, 8th Editions<\/u>) by Ocvirk, Stinson, Wigg, Bone: School of\u00a0<\/span><\/p>\n

Art, Bowling Green University, W.C. Brown Publishers, copyright 1990, 1994, 1997<\/p>\n

Contemporary Romantic Landscape Painting<\/u><\/p>\n

(A catalog)\u00a0Orlando Museum of Art at Loch Haven,\u00a0Orlando, Fl, 1987<\/span><\/p>\n

Art and the Law<\/u><\/p>\n

Commemorating the Bicentennial of the Constitution of the United States. West\u00a0Publishing Co., copyright 1987<\/span><\/p>\n

Art in America<\/u>\u00a0<\/span><\/p>\n

“Review of Exhibitions,” Gerrit Henry, Jan., 1986<\/p>\n

Art World<\/u>\u00a0<\/span><\/p>\n

Reviewer: Richard Hunnewell, Oct., 1985.<\/p>\n

Reviewer Michael R. Meyers, Jon\/Feb., 1980 CAPS 1980-81<\/p>\n

“On the Arts”<\/u><\/p>\n

(A catalog of New York State visual artists selected for the Creative Artists Public Service\u00a0Program), 1980, 1981<\/span><\/p>\n

New York Realists 1980<\/u><\/p>\n

Publication of Thorpe Intermedia Gallery and NY Council of the Arts, 1980<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/p>\n

Catskill Continuum<\/span><\/p>\n

A catalog of the Greene County Council of the Arts, 1980<\/span>
<\/span><\/p>\n

Woodstock Times<\/u><\/p>\n

Reviewer; Paul Smart; “Three Painters at Fletcher,” 2014<\/p>\n

Reviewer: Paul Smart; “Maguire, Contes at Oriole 9,” 2014<\/p>\n

Reviewer; Joan D’Arcy, 1998\u00a0<\/span><\/p>\n

Reviewer; Mark Abramson, Aug. 4, 1984<\/p>\n

Reviewer; Tad Wise, Aug. 1, 1991\u00a0<\/span><\/p>\n

Reviewer; Marc Furstenberg, Nov. 12, 1987\u00a0<\/span><\/p>\n

“Time, light and Space” Reviewer; Tram Combs, Aug. 27th, 1981\u00a0<\/span><\/p>\n

“Spring Art Roundtable Discussion Series”, Reviewer; Jim Reed, Mar.\/Apr. 1981\u00a0<\/span><\/p>\n

Reviewer; Dennis Drogseth, Jan 17, Dec. 1, 1977<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

LettersDouglas James Maguire P.O. Box 809,\u00a0Woodstock, NY 12498\u00a0 maguire@hvc.rr.com EDUCATION   1973 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 M.F.A., City College of New York, C.U.N.Y., New York, NY1968 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Brooklyn College, C.U.N.Y., Brooklyn, NY1967 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 B.F.A., Pratt Institute, Brooklyn, NY1965 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 New School for Social Research, New York, NY1958\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 High School of Music and Art, New York, NY AWARDS \/ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-108","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/douglasjamesmaguire.com\/index.php?rest_route=\/wp\/v2\/pages\/108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/douglasjamesmaguire.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/douglasjamesmaguire.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/douglasjamesmaguire.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/douglasjamesmaguire.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=108"}],"version-history":[{"count":4,"href":"https:\/\/douglasjamesmaguire.com\/index.php?rest_route=\/wp\/v2\/pages\/108\/revisions"}],"predecessor-version":[{"id":703,"href":"https:\/\/douglasjamesmaguire.com\/index.php?rest_route=\/wp\/v2\/pages\/108\/revisions\/703"}],"wp:attachment":[{"href":"https:\/\/douglasjamesmaguire.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}